One of these businesses, Starshots, with its 16 franchised studios across Australia, is nicely nestled in the suburban landscape. It advertises itself in glossy posters in the malls themselves with provocative photos of subjects dressed in what could be described as naughty gear.
A Starshots ad in a mall. David Marshall
On its website, Starshots explains its basic philosophy. Through the “Starshots experience”, the client is to be pampered with a “proven formula” of make-up, hairstylists, props and the accessories of a true studio photo shoot in order to capture the “essence of you”.
In other words, the experience is as important as the end product.
Naturally, as would happen with a professional magazine covershoot, the added service of touch-up and digital altering images is there to capture the “real you”.
From Hollywood to the mall
Glamour photography as an industry has an interesting lineage, which may help explain its current location in the suburban mall.
Carol Dyhouse, the British historian and author of the book Glamour: Women, History, Feminism, says “glamour is a slithery concept”.
It relies on its strong connection to the stars of classic Hollywood, where the notion of glamour and its associated fur, slinky dresses and attitude were an expression of the modern woman negotiating her public place in the contemporary world.
Nicci Romanovsky
But it is also a soiled concept. Glamour photography, as the 20th century progressed, became associated with what was called boudoir photography, as even the idea of glamour began to be connected to tackiness.
The most public version of this kind of photography was the soft-core pornography promulgated by the mid to late 20th-century magazine icons, Playboy and Penthouse.
The particular photographic studios that now promote glamour photography in the shopping malls are trying to sanitise this bedroom photography and associate it more closely with the production of ourselves as stars so that couples, as much as women, can feel good about their sensual selves.
But why is it becoming both normal and popular now?
Industry upheaval
This particular version of glamour photography has been building for the last 15 years. Over the same period, the advent of digital photography has forced the photography industry through its greatest upheaval in years.
American industry reports show that there has been a general decline in both revenues and number of commercial photo studios. The 2012 Barnes Report recorded a 10% shrinkage of the American commercial photography industry.
It’s easy to lampoon the glamour photo aesthetic. lint machine
At the same time, people are producing many more photos and distributing them at unprecedented rates, thanks to social media and our growing collections of digital devices. The 40 million images uploaded every day to the photo-sharing site Instagram underscore the scale of the change.
Professional photography has had to find a way to offer more. Glamour photography thus attempts to do what reality television actually does: it offers the service of “celebrifying” the individual.
The photographs produced are very likely only to remain in one’s own household, but they echo the pantheon of star images that we see produced daily by sophisticated entertainment industries.
Glamour photographic studios are generalizing the “star experience” we witness in the endless talent shows and reality TV programs that turn everyday people into celebrities.
Glamour shots allow one’s own body and self to be incorporated into the contemporary media system, even if it’s only to capture the “look” of fame for one’s pleasure.
Family glam
Starshots is not the only player in this world.
Photography studios such as the franchisable Verve cater to the family portrait and are experts at making their images distinctive in their clear appeal to the aesthetic of magazine photography.
Its portraiture is a combination of the works of Canadian-Turkish photographer Yousuf Karsh and US celebrity photographer Annie Leibovitz; it is magazine cover photography for the middle class.
